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Reimagining the Apocalypse: Remakes of the Romero Zombie Films as Markers of Their Times

Jese Leos
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Published in Back From The Dead: Remakes Of The Romero Zombie Films As Markers Of Their Times (Contributions To Zombie Studies)
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George A. Romero's zombie films have become iconic in the horror genre, not only for their graphic violence and social commentary but also for their enduring influence on popular culture. The original trilogy, consisting of Night of the Living Dead (1968),Dawn of the Dead (1978),and Day of the Dead (1985),has been remade multiple times, with each remake reflecting the fears and anxieties of its respective era.

Back from the Dead: Remakes of the Romero Zombie Films as Markers of Their Times (Contributions to Zombie Studies)
Back from the Dead: Remakes of the Romero Zombie Films as Markers of Their Times (Contributions to Zombie Studies)

4 out of 5

Language : English
File size : 2351 KB
Text-to-Speech : Enabled
Word Wise : Enabled
Print length : 252 pages

This article will explore the ways in which the remakes of the Romero zombie films have served as cultural mirrors, offering a unique lens through which to view the changing social and political landscape. We will examine how the films have reflected the social unrest of the 1970s, the consumerism and materialism of the 1980s, the technological anxieties of the 1990s, and the political divisions and economic inequality of the 21st century.

1978: Night of the Living Dead

Night Of The Living Dead (1978) Promotional Still Back From The Dead: Remakes Of The Romero Zombie Films As Markers Of Their Times (Contributions To Zombie Studies)

The original Night of the Living Dead was released in 1968, a time of great social and political unrest in the United States. The film's depiction of a group of survivors trapped in a farmhouse under siege by a horde of flesh-eating ghouls resonated with audiences who were grappling with the Vietnam War, the civil rights movement, and the counterculture revolution.

The film's low-budget aesthetics and graphic violence shocked audiences, but it also struck a nerve by reflecting the fears and anxieties of the time. The zombies in Night of the Living Dead were not the slow-moving, mindless creatures of later zombie films; they were fast, aggressive, and relentless. They represented the forces of chaos and destruction that seemed to be threatening to tear American society apart.

1990: Night of the Living Dead

Night Of The Living Dead (1990) Promotional Still Back From The Dead: Remakes Of The Romero Zombie Films As Markers Of Their Times (Contributions To Zombie Studies)
Night of the Living Dead (1990). Image courtesy of Columbia Pictures

The 1990 remake of Night of the Living Dead was released at a time of great economic and social change in the United States. The country was in the midst of a recession, and the gap between the rich and the poor was growing wider. The film reflected these anxieties by depicting a group of survivors who are trapped in a shopping mall and forced to fight for their lives against a horde of zombies.

The 1990 remake of Night of the Living Dead was more polished and professional than the original, but it also lost some of its raw power. The zombies were no longer as fast or relentless as they had been in the original, and the film's social commentary was more heavy-handed. Nonetheless, the film still managed to capture the zeitgeist of its time and offer a unique perspective on the fears and anxieties of the 1990s.

2004: Dawn of the Dead

Dawn Of The Dead (2004) Promotional Still Back From The Dead: Remakes Of The Romero Zombie Films As Markers Of Their Times (Contributions To Zombie Studies)

The 2004 remake of Dawn of the Dead was released at a time of great technological change and economic uncertainty. The film depicted a group of survivors who take refuge in a shopping mall after a zombie outbreak. The mall becomes a microcosm of society, with the survivors struggling to maintain Free Download and survive against the relentless hordes of zombies.

The 2004 remake of Dawn of the Dead was a critical and commercial success. It was praised for its fast-paced action, social commentary, and stunning visuals. The film reflected the fears and anxieties of its time by depicting a world that was both technologically advanced and economically divided. The zombies in the film were no longer the slow-moving, mindless creatures of earlier zombie films; they were fast, agile, and relentless.

2007: Diary of the Dead

Diary Of The Dead (2007) Promotional Still Back From The Dead: Remakes Of The Romero Zombie Films As Markers Of Their Times (Contributions To Zombie Studies)
Diary of the Dead (2007). Image courtesy of IDP Distribution

Diary of the Dead was released in 2007, at a time when the United States was embroiled in the War in Iraq. The film was shot in a mockumentary style and followed a group of college students who are making a horror film when a zombie outbreak occurs. The film offers a unique perspective on the war by depicting it through the eyes of young people who are just trying to survive.

Diary of the Dead was a critical and commercial failure, but it is still an interesting and unique film. It is one of the few zombie films to be made in a mockumentary style, and it offers a fresh perspective on the genre. The film also reflects the fears and anxieties of its time by depicting a world that is in chaos and turmoil.

2009: Day of the Dead

Day Of The Dead (2009) Promotional Still Back From The Dead: Remakes Of The Romero Zombie Films As Markers Of Their Times (Contributions To Zombie Studies)

The 2009 remake of Day of the Dead was released at a time of great economic and political uncertainty. The film depicted a group of survivors who are trying to rebuild society after a zombie outbreak. The film is a more traditional zombie film than Diary of the Dead, but it still reflects the fears and anxieties of its time by depicting a world that is in chaos and turmoil.

The 2009 remake of Day of the Dead was a critical and commercial failure, but it is still an interesting and unique film. It is one of the few zombie films to be set in a post-apocalyptic world, and it offers a fresh perspective on the genre. The film also reflects the fears and anxieties of its time by depicting a world that is in chaos and turmoil.

The remakes of the Romero zombie films are more than just horror movies; they are cultural mirrors that reflect the fears and anxieties of their respective eras. The films have depicted the social unrest of the 1970s, the consumerism and materialism of the 1980s, the technological anxieties of the 1990s, and the political divisions and economic inequality of the 21st century.

By examining the ways in which the remakes of the Romero zombie films have reflected the changing social and political landscape, we can gain a deeper understanding of the fears and anxieties that have shaped our society.

Back from the Dead: Remakes of the Romero Zombie Films as Markers of Their Times (Contributions to Zombie Studies)
Back from the Dead: Remakes of the Romero Zombie Films as Markers of Their Times (Contributions to Zombie Studies)

4 out of 5

Language : English
File size : 2351 KB
Text-to-Speech : Enabled
Word Wise : Enabled
Print length : 252 pages
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Back from the Dead: Remakes of the Romero Zombie Films as Markers of Their Times (Contributions to Zombie Studies)
Back from the Dead: Remakes of the Romero Zombie Films as Markers of Their Times (Contributions to Zombie Studies)

4 out of 5

Language : English
File size : 2351 KB
Text-to-Speech : Enabled
Word Wise : Enabled
Print length : 252 pages
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